Alice in Wonderland (1976)

http://en.wikipedia.org/wiki/Alice_in_Wonderland_(1976_film)

Alice in Wonderland (sometimes listed as Alice in Wonderland: A Musical Porno) is a 1976 pornographic musical film, loosely based on Lewis Carroll's book Alice's Adventures in Wonderland. It was directed by Bud Townsend and starred Terri Hall, Bree Anthony, and Kristine DeBell. The theatrical release of the film was on December 10, 1976 in the USA. On May 26-27 it was shown at the Grand Illusion Cinema in Seattle, Washington during Satellites 2000: Screens From Outer Space.

The film initially received a X-rating in 1976 and subsequently, an R-rating a year later with 3 minutes cut from the film. It was later re-released on VHS with a somewhat grandiose title roll preceding the movie noting that quite a bit of hardcore footage had originally been shot, but "could not be included" at the time. Several reviews opine that the added material actually makes the movie less enjoyable by dragging down its pacing. It has also been re-released on DVD, though whether this release is official, and which source material it was made from, is unclear.

Это наверное самая смелая постановка произведения Кэролла. Она представлена в виде порно-мюзикла, где Алиса предстаёт нам немного с другой стороны. Сразу видно, что раньше в порнуху вкладывали больше чувств. Актёры гораздо больше поют и пляшут, чем занимаются банальным сексом. В фильме присутствует очень тонкий юмор (тоньше не бывает

В главной роли снялась Кристиана Де Бел девушка с обложки Плейбой Апрель 1976 года

http://en.wikipedia.org/wiki/Kristine_DeBell

http://en.wikipedia.org/wiki/Ford_Models

http://en.wikipedia.org/wiki/Playboy

Robert Zemeckis

http://www.imdb.com/name/nm0000709/

Meatballs (1979)

http://www.imdb.com/title/tt0079540/

пиратка

http://thepiratebay.org/tor/3779715/Meatballs__1979___Bill_Murray

Играла Кристиана Де Бел в одной из ролей , один из первых фильмов с гениальным комиком Билом Мюреем

термин Cекплотация

http://en.wikipedia.org/wiki/Sexploitation

Sexploitation or "sex-exploitation" describe a class of independently produced, low budget feature films generally associated with the 1960s and serving largely as a vehicle for the exhibition of non-explicit sexual situations and/or gratuitous nudity. The term is often considered to designate a subgenre of exploitation films as a whole. Sexploitation films were generally exhibited in urban grindhouse theatres, the precursor to the adult movie theaters of the 1970s and '80s that featured hardcore content. The term soft-core is often used to designate non-explicit sexploitation films after the general legalization of hardcore content. Nudist films are often considered to be subgenres of the sex-exploitation genre as well.

Режисеры которые работали в этом жанре

Notable sexploitation directors

Дорис Вишман - королева жанра sexploitation. В этом фильме повествуется о двух ученых (профессор и молодой ассистен) решивших слетать на Луну. Эта задумка без особых проблем осуществляется. И вот наши герои (в очень стильных скафандрах) оказываются на луне, где практически сразу находят огромное количество золота. Но главное сокровище луны - не золото, а небольшая община сексуальных тётечек с антеннами на голове. Средства для прикрытия грудей на Луне так и не было изобретено, поэтому в течение фильма можно любоваться большим количеством сисек всех форм и размеров. Лунаточки беззаботно проводят время, играя в мяч, купаясь в горячих источниках или плескаясь в пруду, в то время как отважные исследователи тщательно документируют все происходящие при помощи фотоаппарата.

Так что походу врали нам про Нейла Армстронга, "Апполон-11" и прочее. Вишман впервые показывает нам правду о покорении Луны. Почет и хвала.

http://thepiratebay.org/tor/3830709/Nude_On_the_Moon_-_HDDivxRipBy_RUBrTOE.avi

One of the worst movies of all time or one of the best, dpending on what your criteria are. If it's writing, directing or acting, it is one of the worst. If it's extremely cheesy costumes and tons of big naked breasts on fat chicks (by today's gay standard), then this is one of the best movies around, except for the digital transfer is fairly fuzzy. And the chicks aren't really fat, rather, they are vouptuous, just like I like them -RUBrTOE 

http://en.wikipedia.org/wiki/Doris_Wishman

книжки о фрик-кино

Ужасные странные фильмы

Incredibly Strange Films

V. Vale, Andrea Juno, Jim Morton and Boyd Rice (editors)

RE/Search No. 10: Incredibly Strange Films is a book about American underground films edited by V. Vale, Andrea Juno, Jim Morton and Boyd Rice.

It features the work of filmmakers Russ Meyer, Herschell Gordon Lewis, Frank Henenlotter, Larry Cohen, Doris Wishman, David F. Friedman, Edward D. Wood, Jr., Radley Metzger, Joseph W. Sarno and genres women in prison film, mondo films, exploitation films, beach party films, Santo films and sexploitation films.

Immoral Tales:

European Sex & Horror Movies 1956-1984

From Wikipedia, the free encyclopedia

Immoral Tales: European Sex & Horror Movies 1956-1984 is the title of a 1994 non fiction book by Cathal Tohill and Pete Tombs, that won the Bram Stoker Award for Best Non-Fiction.

The book covers European exploitation cinema with profiles of Jesus Franco, José Larraz, Alain Robbe-Grillet, Jean Rollin, Walerian Borowczyk and Jose Bénazéraf. It is notable for being one of the few books to concentrate solely on the sex/horror subgenre of cinema and is currently out of print.

"The book affords a comprehensive, fascinating, and even loving look at the sleazy, gory, sexy, blasphemous underside of European cinema" (Mike Tribby in Booklist)

Термин в кино

Exploitation film

http://en.wikipedia.org/wiki/Exploitation_film

From Wikipedia, the free encyclopedia

"Grindhouse" redirects here. For the 2007 anthology film by Robert Rodriguez and Quentin Tarantino, see Grindhouse (film).

Exploitation film is a type of film that eschews the expense of quality productions in favor of making films inexpensively, attracting viewers by exciting their more prurient interests. Exploitation films rely heavily on the lurid advertising of their content rather than the intrinsic quality of the film.

Exploitation films may feature forbidden sex, wanton violence, drug use, nudity, freaks, gore, monsters, destruction, rebellion and mayhem. Such films have existed since the earliest days of moviemaking, but they were popularized in the 1960s with the general relaxing of cinematic taboos in the U.S. and Europe. Since the 1990s, this genre has also received attention from academic circles, where it is sometimes called paracinema.

Ephraim Katz, author of The Film Encyclopedia, has defined exploitation as:

Films made with little or no attention to quality or artistic merit but with an eye to a quick profit, usually via high-pressure sales and promotion techniques emphasizing some sensational aspect of the product^{[citation needed]}

Exploitation films often exploited events that occurred in the news and were in the short term public consciousness that a major film studio may avoid due to the length of time of producing a major film. For example Child Bride (1935) addressed a problem of older men marrying very young women in the Ozarks. Other issues such as drug use in films like Reefer Madness (1936) attracted an audience that a major film studio would avoid to keep their mainstream and respectable reputations. Several war films were made about the Winter War in Finland, the Korean War and the Vietnam War before the major studios showed interest. When Orson Welles' Mercury Theatre Halloween 1938 radio production of The War of the Worlds shocked many Americans and made news, Universal Pictures edited their serial Flash Gordon's Trip to Mars into a short feature called Mars Attacks the World for release in November of that year.

Some Poverty Row lower budget B movies often exploit major studio projects due to fact that the rapid production schedule of making their films can take advantage of the publicity of the major studio to get an audience for their film and leave the slower bigger budgeted competitor to suffer reduced admissions at the box office. For example Edward L. Alperson produced William Cameron Menzies' Invaders from Mars to beat Paramount Pictures prestigious George Pal's version of The War of the Worlds into the cinemas. Pal's The Time Machine was also beaten to the cinemas by Robert Clarke's Edgar G. Ulmer film Beyond the Time Barrier (1960). As a result, many major studios, producers, and stars keep their projects secret.

ПИратка, трейлеры к чернухи…

Extra Weird Sampler - 100+ cult, sleaze and weird trailers

http://thepiratebay.org/tor/4099900/Extra_Weird_Sampler_-_100__cult__sleaze_and_weird_trailers